Silenced Voices: Exploring the Intersection of Gender and Sexuality in Mahesh Dattani's Selected Works
DOI:
https://doi.org/10.24113/smji.v14i2.11670Keywords:
(1) correctly detecting words in continuous speech and (2) comprehending a speaker's intended meaningAbstract
This research paper conducts a comparative analysis of Mahesh Dattani’s plays, Bravely Fought the Queen and On a Muggy Night in Mumbai that delves into the complexities of repressed identities, gender representation and sexuality. From a social analytic perspective, this study examines how Dattani’s works encounter traditional societal norms that reflect a broader tension between conservatism and individual self-expression. This research aims to provide a deeper understanding of the relationships between identity, culture and performance in contemporary Indian theater.
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References
Dattani, Mahesh. Bravely Fought the Queen. Penguin Books India, 2001.
Dattani, Mahesh. On Muggy Night in Mumbai. Penguin Books India, 2001.
Gupta, R. "Mahesh Dattani and the Theatre of Social Concerns." Indian Literature, vol. 50, no. 1, 2006, pp. 45-56.
Sharma, A. "Gender and Sexuality in Mahesh Dattani’s Plays." Journal of Language and Literature, vol. 6, no. 3, 2014, pp. 67-75.
Sarkar, Uttiya. “Bravely Fought the Queen by Mahesh Dattan.” LinkedIn, 25 March 2024.
https://www.linkedin.com/pulse/bravely-fought-queen-mahesh-dattani-uttiya-sarkar-vagic Accessed 08 November 2024.
Giri, Dipak. “Mahesh Dattani’s On a muggy night in Mumbai: A Critique of Hetero (sexism).” Literary Endeavour, 17 July 2018
https://www.literaryendeavour.org/mahes-dattani’s--dattani’s-on-a-muggy-night-in-mumbai-a-critique-of-hetero(sexism) Accessed 09 November 2024
McRae, John. “A Note on the Play”, Collected Plays: Mahesh Dattani. New Delhi: Penguin Books, 2000. Print.
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