Reimagining Humanity: Humans, Machines and Technological Mediation in WALL-E

Authors

  • Dr. Anupama L

DOI:

https://doi.org/10.24113/smji.v14i3.11714

Keywords:

: Environmental, Technology, Waste, Robot

Abstract

Several intellectuals and activists have been consistently warning about the harmful effects of contamination of air, water and land. The climate change and biodiversity deterioration that we face today is largely the result of our own behavior. Efficient waste management strategies are required to minimize the impact on environment. Several waste management technologies have evolved in the recent years. The integration of technology and robotics to handle the ‘dirty’ task can significantly lower the risk of harm to workers involved in this dangerous profession. The present study is based on 2008 American animated romantic science fiction film WALL-E directed by Andrew Stanton. The film discusses several themes including human environmental impact and concern, consumerism, corporate control, technology, hope, renewal, love, emotional connection and waste management. The story is set on a deserted Earth in 2805 where a solitary robot named WALL-E is left to clean up the garbage. He falls in love with another robot EVE, sent from the starship Axiom to detect life. The study examines the way by which love and care function as catalyst for ecological restoration. The paper aims to analyze the representation of environmental degradation and the possibility of renewal in a technologically mediated future in WALL-E.   

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Author Biography

Dr. Anupama L

Assistant Professor                                                                                             

Department of English

Iqbal College

Affiliated to University of Kerala

 Peringammala, Kerala, India

References

Carnevale, Rob. “Wall-E — Andrew Stanton Interview.” IndieLondon, IndieLondon.co.uk, https://www.indielondon.co.uk/Film-Review/wall-e-andrew-stanton-interview/

Fisher, Mark. Capitalist Realism: Is There No Alternative? Zer0 Books, 2009. Libcom.org, https://files.libcom.org/files/Capitalist%20Realism_%20Is%20There%20No%20Alternat%20-%20Mark%20Fisher.pdf. Accessed 2 Jan. 2026.

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago Press, 1999. https://monoskop.org/images/5/50/Hayles_N_Katherine_How_We_Became_Posthuman_Virtual_Bodies_in_Cybernetics_Literature_and_Informatics.pdf. Accessed 2 Jan 2026.

Morton, Timothy. Dark Ecology: For a Logic of Future Coexistence. Columbia University Press, 2016.

Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard University Press, 2011.

https://southwarknotes.wordpress.com/wp-content/uploads/2018/10/slow-violence-and-the-environmentalism-of-the-poor.pdf

Treadaway, Ashton. “The Loss of Humanity through Consumerism in WALL-E.” Coastlines, vol. 1, no. 6, Spring 2019, Article 5, The Aquila Digital Community, University of Southern Mississippi, https://aquila.usm.edu/coastlines/vol1/iss6/5/

WALL·E. Directed by Andrew Stanton, performances by Ben Burtt, Elissa Knight, Jeff Garlin, and Fred Willard, Pixar Animation Studios, 2008.

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Published

11-03-2026

How to Cite

L , D. A. (2026). Reimagining Humanity: Humans, Machines and Technological Mediation in WALL-E. SMART MOVES JOURNAL IJELLH, 14(3), 108–117. https://doi.org/10.24113/smji.v14i3.11714

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Article