Rushdie’s Shalimar the Clown a Postcolonial Representation of the Past India
DOI:
https://doi.org/10.24113/ijellh.v10i6.11316Keywords:
Historical Allegory, Patriotism, Extremism, Self-Destruction.Abstract
Salman Rushdie is one of the most important postcolonial writers in English literature. Through his literary contributions, he ushers in a new era of postcolonial literature. Rushdie is a world-renowned novelist whose outstanding works have garnered him accolades, thrills, and controversy throughout his illustrious career. Several Indian authors, including Amitav Ghose and Rohinton Mistry, have been greatly influenced by his unquestionable creativity. As one of the world’s most controversial and provocative contemporary novelists, Salman Rushdie stands out. Postcolonial and postmodern writers like Gabriel Garca Márquez, Günther Grass, Milan Kundera, and Jorge Luis Borges were considered to be among his contemporaries during the 1980s and 1990s. Allegory, multiculturalism, magic realism and other postcolonial techniques are used in Rushdie’s works to create alternative views of the colonial situation in a postcolonial context.
Downloads
References
Rushdie, Salman. Shalimar The Clown. London: Jonathan Cape, 2005. Print.
Singh, Khomdram Shyamsundara. “Misogynist Undertones in Salman Rushdie’s Midnight’s Children”. Modern Research Studies: An International Journal of Humanities and Social Sciences. Print.
Cowley, Jason. “From here to Kashmir”, Rev. of Shalimar the Clown. The Guardian Weekly, Vol.173 No.14 Sep. 2005, p.27. Print.
Mathur, O. P. “Salman Rushdie’s Shalimar the Clown: The Enigma of Terrorism”, Points of View, Vol. XIV, No.1 Summer 2007, p.92. Print.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Dr.G. Karthigaiselvi

This work is licensed under a Creative Commons Attribution 4.0 International License.
https://creativecommons.org/licenses/by/4.0/
