Sorcery Realism and Black Identity in Toni Morrison’s Song of Solomon

Abstract

Toni Morrison is the noble prize winning writer of ten novels, and has additionally written seven nonfiction, two plays and three children books. She is the second American lady and first African American to accomplish the status of qualification in the standard of American abstract custom. Her books have attracted both well known and basic attention for their creative blend of authenticity and dream, unsparing social analysis, and passionate philosophical concern. All of Morrison's characters exist in a world characterized by its blackness and by the encompassing while society that both violates and denies it. This paper is devoted to an investigation of Song of Solomon in which class in connection to race and sex turns out to be increasingly central .Morrison has now turned out to be progressively mindful of the argumentative relationship among free enterprise, prejudice and sexism. Morrison’s Song of Solomon only has a male hero. Song of Solomon shows the impacts of middle- class esteems on black families just as an abuse of African - American culture and fantasies that delineate the conceptual thought of the ethnic experience. Morrison in all of her books includes the effects of social oppression of dark in a dogmatist society.